Today I

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Net Neutrality Tech Debate photos

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Attendee photos from the Net Neutrality Tech Debate

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meaghano:

I went to a #techdebate tonight and got so impassioned and such an adrenaline rush and i realized why-

I h8 sports (please don’t beat me up)

I don’t follow politics (please don’t kill me)

I don’t give a shit about religion (please don’t smite me)

I am not actively torturing a man (…heh)

I work on a small team who loves each other (usually)

I adore my family (see above)

I don’t hang out with people that annoy me (see two above)

WHERE IS MY OUTLET???

And like, I know, my outlets are writing and yoga. But cmon, THAT STUFF’S FOR PUSSIES. (Unlike an Oxford style debate about the future of the Internet).

Anyway. Omg. We should all pay attention to net neutrality.

soupsoup:

innonate:

kmaverick:

techdebate at IAC

Jason Schwartz organized this event. Extraordinarily well done. Way more interesting than I thought I would be.

I have an early morning tomorrow so I watched the whole thing online. It was extremely well done and seemed to be well attended, both online and off. Great to see so many people highly engaged about Net Neutrality. In case you were wondering, the side for Net Neutrality won the debate.

Thank you guys!

It’s tonight!  You should come.

This makes global warming look pretty awesome.

hrbutler:

Far from stoking fear about a coming catastrophe, both of these projects—Studio Lindfors and Squint Opera—offer a vision in which people, and the cities they live in, have learned to adapt to the overwhelming presence of water. Indeed, Times Square, in Studio Lindfors’s vision, is radiant, markedly improved by the reflective waters that now flow through it. Of course New York should be at least partially flooded, one might be tempted to think; of course the future of urban planning involves designing with water.

soupsoup:

rafer:moderndorkology:

Good Magazine - Rock (and U.S. Oil Production) Is Dead

So that’s what happened! Best line from the article:

“What would this look like if it used best-of data from a magazine that hadn’t ignored the majority of hip hop, electronic music, and the American underground for the last three decades?”